Tom Shone
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At the Cinema: sentimentality is not a flaw in a film-maker. Tom Shone argues that Kubrick’s script about Napoleon could do with more of it
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ArtsAt the CinemaculturefilmMay/June 2013Tom Shone
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At the Cinema: Tom Shone reckons that great films arise when director, star and protagonist all merge into one
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ArtsAt the CinemafilmMarch/April 2013Tom Shone
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At the Cinema: in Hollywood, physiognomy is destiny. Tom Shone sees fate in the gnarled faces of Spielberg's "Lincoln"
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ArtsAt the CinemacultureJanuary/February 2013Tom Shone
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At the Cinema: Tom Shone finds Paul Thomas Anderson's "The Master" a little too masterly for its own good...
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ArtsAt the CinemaculturefilmNovember/December 2012Tom Shone
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At the Cinema: film-makers are less interested in America than they used to be. But now, writes Tom Shone, a gem of a movie bucks the trend...
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ArtsAt the CinemafilmSeptember/October 2012Tom Shone
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At the Cinema: Tom Shone believes we are still bewitched by Hitchcock’s films because his ambivalent view of the stars reflected ours...
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ArtsAt the CinemaculturefilmJuly/August 2012Tom Shone
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At The Cinema: Tom Shone details the latest qualities for a superhero—a super-agent, an accent coach and a British passport...
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ArtsAt the CinemaculturefilmMay/June 2012Tom Shone
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He’s been sly, sad, unwatchably private, two writers and a drag queen, and now he’s directing. Tom Shone traces the career of Philip Seymour Hoffman ...
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ArtsAUTUMN 2010filmthe cvTom Shone
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It’s been an immense career, but an uneven one. With "Shutter Island" now proving to be Martin Scorsese's biggest box-office hit, Tom Shone draws up a list of his eight best films ...
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Artsfilmthe cvTom ShoneWinter 2009
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Epics and extravaganzas are on the wane. Tom Shone is relieved ...
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ArtsAutumn 2009FINE & PERFORMING ARTSISSUES & IDEASTom Shone
