IN PRAISE OF THE THREE-MINUTE DITTY

In response to my post about Radiohead's decision to concentrate on crafting singles over albums ("An epitaph for the album?"), Brett McCallon, our online gaming columnist, e-mailed the following rebuttal:

Ok, you have a point about the value of long-playing musical formats, but you have to consider that the basic unit of popular music is the 3-4 minute song. Always has been.  Also, keep in mind the paltry number of albums that have come out in the post-Napster era that are truly *designed* to be considered as a singular, thematic whole. Even Radiohead has moved away from that idea with their last couple of albums ("Thief" and "In Rainbows").  Whereas discs like "OK" and "Kid A" were truly thematically unified, their latter-day output is considerably less so.

I also feel there are very few albums worthy of the full, no-skip album listening treatment, even among my favorites and acknowledged classics. "Sergeant Peppers"--tell me you don't skip "Within You Without You"; hell, even "OK Computer" has "Fitter, Happier", and "Kid A" has "Treefingers", neither of which demand a listen every time you make your way through the tracklist. Or to take another tack: Does listening to classic hip-hop albums require listening to each and every interstitial skit, every time? Really?

Also, recall that some of the greatest artists of the rock era have been singles artists. Especially soul and R&B. I think the album is a format that has its place, has been much abused, and is falling in a darwinian struggle for survival right now.  Simply put, there's more good (and bad) music than ever before being released right now. Focusing on the best that each artist has to offer, even if that means selectively skipping around albums, or even (horrors) downloading only one or two tracks, that's just the way things are. And in many ways, I think it might be better.

Fair enough (harumph). Now would be a good time for readers to submit examples of stellar albums that have been released in the last decade or so. What do you listen to all the way through on your Victrola? (Alas, perhaps such folks aren't the type to read blogs.)

~ EMILY BOBROW

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Comments

The gauntlet has been


The gauntlet has been thrown....

Rise Above - The Dirty Projectors
The Soft Bulletin - The Flaming Lips
Ease Down the Road - Bonnie Prince Billy
Old Ramon - The Red House Painters
Free Devin - Le Royale Oui
Let the Blind Lead Those Who Can See But Cannot Feel - Atlas Sound
Mermaid Avenue - Wilco and Billy Bragg
Mass Romantic and Electric Version - New Pornographers

Just a smattering of possible choices, but these are some of my favorites. And Brett McCallon is wrong, as always, about "Within You, Without You", but what else is new?

The Good, the Bad and the


The Good, the Bad and the Queen

Hazards of Love, The


Hazards of Love, The Decemberists

gotcha


Muse. The first track of each album has definite overtones of the last song of the previous album.

Adiemus albums, though them's not rock'n'roll.

Beck - Sea Change

Björk - Selmasongs & Medúlla

Neil Young's Greendale was wonderful (particularly the live at Vicar St DVD). The story of a community. He generally themes his albums, not just subject, but music style...

Grandaddy - The Sophtware Slump, alas the death of Jed

Massive Attack - Mezzanine

PJ Harvey - Stories from the City, Stories from the Sea

RHCP - Californication

Just from a quick perusal...

I wouldn't write off the album ? arbitrary collection of songs just yet...

The Magnetic Fields: 69 Love


The Magnetic Fields: 69 Love Songs
Flaming Lips: Yoshimi Battles The Pink Robots
Outkast: Stankonia
Silver Jews: Bright Flight

But I would agree (as I said in Welcome To The Machine, my book about OK Computer, yes, that was a plug) that the way we consume music may not have killed off the notion of the album as a coherent, ordered collection of tracks, in which the whole is greater than the sum of its parts, but it has made it less essential.