CONTENTS AUTUMN 2009
FROM THE EDITOR .jpg)
CONTRIBUTORS
LETTERS ETC
THIS SEASON
A selective guide to autumn, featuring Van Gogh, Muriel Spark, Lorrie Moore, John Simm, and two star turns by young actresses in British films
INTELLIGENCE
REHABILITATION | When prisoners take up needlework, by Maggie Fergusson
FOOD | Christopher Hirst shops with a chef
HISTORY | Does history work on television? Andrew Marr gives an insider’s view
HEALTH | The war reporter who is fighting an incurable disease
GREEN | Should you give up flying? Robert Butler hasn’t, but he’s thinking about it
THINKING | What the web—and the electronic reader—do to factual accuracy
SPORT | Ed Smith on Michael Owen and the dangers of personal narrative
CARS | The beginning of the end for the gearbox
GAMING | The new Wii: will it rock you?
EDUCATION | Cambridge students are now taking drugs for their concentration
WINE-LIST | Tim Atkin on the Paris restaurant that has 14,000 wines in its cellar
STYLE
MAIN FEATURE | The defining style of this decade: what was it, exactly?
LINE OF BEAUTY | Sisters, from Greek myth to the Mitfords and two Ralph Lauren models
DRESS SENSE | Linda Grant on why some style tribes last better than others
SHOPPING| More than a container: finding the best designer bags
MAN IN A SUIT | Wells Tower, short-story writer
CULTURE
ART | Authors on Museums: Allison Pearson loves the Musée Rodin
BOOKS | A writers’ writer: Lydia Davis profiled by Emily Bobrow
MUSIC | The Playlist: the Beatles’ best album tracks
FILM ETC | Tom Shone wonders who needs masterpieces
VISUAL CV | Daniel Day-Lewis, from “A Room with a View” to “Nine”
PLACES
MAIN FEATURE | Jasper Rees goes in search of his Welsh roots
QUARTERS | To infinity and beyond: hotels with rooftop pools
BEING THERE | An expat’s view of Toronto, by Tim Rostron
SEVEN WONDERS | Rachel Portman, Oscar-winning composer,
SNAPSHOT | Where eagle-handlers dare
THE MISSION | Will Smith learns to drive...a tank
FEATURES
COVER STORY | BRAND ME
Personal branding, once for celebrities, is now common among business people. Peter York traces how, over 30 years or more, we came to market ourselves
FORMATIVE YEARS
A generation ago, after centuries of segregation, boys’ public schools in Britain began to take girls. Early guinea pigs Rebecca Willis, Daisy Goodwin and Tracey Camilleri tell their stories
MEMOIR | OLD FRIENDS
When Harold Pinter was taking the theatre by storm, Irving Wardle was theatre critic of the Times. He writes about a long bittersweet friendship
PHOTO ESSAY | DANCE AWAY
Ukraine is where ballet dancers come from. Simon Crofts goes backstage with the Lviv ballet to capture the real lives behind the swanning around
TWILIGHT OF THE POLYMATH
It is getting harder to know a lot about a lot. Edward Carr tracks down some people who do
COVER PHOTOGRAPH AND IMAGE MANIPULATION: Diver Aquilar
© 2009 The Economist Newspaper Limited. All rights reserved. Neither this publication nor any part of it may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of The Economist Newspaper Limited. Published by The Economist Newspaper Limited. 25 St James's Street, London, SW1A 1HG, telephone +44 (0)20 7830 7000. E-mail intelligentlife@economist.com; www.moreintelligentlife.com. ISSN 1743-7424. Where opinion is expressed it is that of the authors and does not necessarily coincide with the editorial views of the publisher or The Economist. All information in this magazine is verified to the best of the author's and the publisher's ability. However, The Economist Newspaper Limited does not accept responsibility for any loss arising from reliance on it. Printed by St Ives PLC, Plymouth.






Comment of the moment
quote "Ah, what larks: Rogue Riderhood, Bradley Headstone, Miss Ninetta Crummles (the Infant Phenomenon), Mr Dick, Barkis, Joe the Fat Boy, The Golden Dustman, Mr Wemmick's dad, Mrs Gummidge, Mr William Guppy, Jerry Cruncher, Bullseye, Harold Skimpole..."