SCENES FROM A LIFE

From a first visit to the Little Theatre, Bolton, to the role of chief theatre critic on the Times and beyond, few people have seen as many plays as Irving Wardle. In this memoir, he distils what he has learnt... read more »
COMMENTS: 0 |PUDDLES INTO RAINBOWS

A show not to miss: Isabel Lloyd picks ballet star Adam Cooper in "Singin' in the Rain" ... read more »
COMMENTS: 0 |THE 60-YEAR JOB: SIR PETER HALL

On February 6th, Queen Elizabeth II reaches her diamond jubilee – 60 years in the same job. Charles Nevin tracks down six others who have lasted as long ... read more »
COMMENTS: 0 |FUNNY LOOKS LIKE THIS
~ Posted by Robert Butler, December 19th 2011
Alan Ayckbourn's 75th play, "Neighbourhood Watch", which runs Off Broadway till January 1st, is directed by Ayckbourn himself. Plenty of playwrights make a hash of directing their own work, but on BBC Radio 4 yesterday Ayckbourn passed on some tips about his successful lesser-known career as a director.
Quite a lot of decent directing is counterpoint. So you've got something happening, which is the speech end, but something else physically happening, which counterpoints it. I use the plumber-in-the-cupboard analogy. The wife lets in the plumber in the morning. He goes into the pantry and shuts the door, and he's busy working on some pipes in there and she conveniently forgets about him. The husband comes in and she and the husband then have one of those awful rows that only married couples can have.
As Ayckbourn describes the row, the couple almost destroy one another. If you read the dialogue on the page, he points out, it's a hair-raising experience, but when you see it on stage, you see the plumber in the pantry not knowing whether or not to come out before the argument gets any worse. Ayckbourn says,
The audience is then balanced on two sides. Half of them are laughing at the plumber. And the other half are gasping at the row that's going on. read more »
COMMENTS: 0 |JOHN WOOD, AN ELECTRIC PERFORMER

Irving Wardle remembers a British actor who made others look half alive ... read more »
COMMENTS: 0 |OF MICE, MEN AND A GOOD TENOR

Bruce Beresford brings to Sydney an operatic adaptation of John Steinbeck's classic novella ... read more »
COMMENTS: 0 |OF MONSTERS AND MEN

Danny Boyle's sold-out production of "Frankenstein" is a thrilling theatrical take on Shelley's classic. James Taylor talks to the two actors breathing life into this dark parable ... read more »
COMMENTS: 0 |PARTY LIKE IT'S 1979 WITH MIKE LEIGH

For the first time, Mike Leigh is reviving one of his own plays. Isabel Lloyd talks to him about the highs, and lows, of “Ecstasy” ... read more »
COMMENTS: 0 |THE DRAMA OF CLIMATE CHANGE

Climate science is a tricky subject for the stage, as two new plays in London make plain. Robert Butler puts his finger on the problem ... read more »
COMMENTS: 0 |WHAT'S THE MATTER WITH BROADWAY?

A record number of shows are closing, with producers millions in the hole. Kimberly Kaye considers what went wrong ... read more »
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